POETRY CORNER: The Hashish Eater -or- the Apocalypse of Evil by Clark Ashton Smith

The Hashish Eater -or- the Apocalypse of Evil
Clark Ashton Smith

Bow down: I am the emperor of dreams;
I crown me with the million-colored sun
Of secret worlds incredible, and take
Their trailing skies for vestment when I soar,
Throned on the mounting zenith, and illume
The spaceward-flown horizons infinite.
Like rampant monsters roaring for their glut,
The fiery-crested oceans rise and rise,
By jealous moons maleficently urged
To follow me for ever; mountains horned
With peaks of sharpest adamant, and mawed
With sulphur-lit volcanoes lava-langued,
Usurp the skies with thunder, but in vain;
And continents of serpent-shapen trees,
With slimy trunks that lengthen league by league,
Pursue my flight through ages spurned to fire
By that supreme ascendance; sorcerers,
And evil kings, predominanthly armed
With scrolls of fulvous dragon-skin whereon
Are worm-like runes of ever-twisting flame,
Would stay me; and the sirens of the stars,
With foam-like songs from silver fragrance wrought,
Would lure me to their crystal reefs; and moons
Where viper-eyed, senescent devils dwell,
With antic gnomes abominably wise,
Heave up their icy horns across my way.
But naught deters me from the goal ordained
By suns and eons and immortal wars,
And sung by moons and motes; the goal whose name
Is all the secret of forgotten glyphs
By sinful gods in torrid rubies writ
For ending of a brazen book; the goal
Whereat my soaring ecstasy may stand
In amplest heavens multiplied to hold
My hordes of thunder-vested avatars,
And Promethèan armies of my thought,
That brandish claspèd levins.


There I call
My memories, intolerably clad
In light the peaks of paradise may wear,
And lead the Armageddon of my dreams
Whose instant shout of triumph is become
Immensity’s own music: for their feet
Are founded on innumerable worlds,
Remote in alien epochs, and their arms
Upraised, are columns potent to exalt
With ease ineffable the countless thrones
Of all the gods that are and gods to be,
And bear the seats of Asmodai and Set
Above the seventh paradise.

Supreme
In culminant omniscience manifold,
And served by senses multitudinous,
Far-posted on the shifting walls of time,
With eyes that roam the star-unwinnowed fields
Of utter night and chaos, I convoke
The Babel of their visions, and attend
At once their myriad witness.

I behold
In Ombos, where the fallen Titans dwell,
With mountain-builded walls, and gulfs for moat,
The secret cleft that cunning dwarves have dug
Beneath an alp-like buttress; and I list,
Too late, the clang of adamantine gongs
Dinned by their drowsy guardians, whose feet
Have felt the wasp-like sting of little knives
Embrued with slobber of the basilisk
Or juice of wounded upas. In
In gardens of a crimson-litten world, I see
The sacred flower with lips of purple flesh,
And silver-Lashed, vermilion-lidded eyes
Of torpid azure; whom his furtive priests
At moonless eve in terror seek to slay
With bubbling grails of sacrificial blood
That hide a hueless poison. And I read
Upon the tongue of a forgotten sphinx,
The annulling word a spiteful demon wrote
With gall of slain chimeras; and I know
What pentacles the lunar wizards use,
That once allured the gulf-returning roc,
With ten great wings of furlèd storm, to pause
Midmost an alabaster mount; and there,
With boulder-weighted webs of dragons’ gut
Uplift by cranes a captive giant built,
They wound the monstrous, moonquake-throbbing bird,
And plucked from off his saber-taloned feet
Uranian sapphires fast in frozen blood,
And amethysts from Mars. I lean to read
With slant-lipped mages, in an evil star,
The monstrous archives of a war that ran
Through wasted eons, and the prophecy
Of wars renewed, which shall commemorate
Some enmity of wivern-headed kings
Even to the brink of time. I know the blooms
Of bluish fungus, freaked with mercury,
That bloat within the creators of the moon,
And in one still selenic hour have shrunk
To pools of slime and foetor; and I know
What clammy blossoms, blanched and cavern-grown,
Are proffered in Uranus to their gods
By mole-eyed peoples; and the livid seed
Of some black fruit a king in Saturn ate,
Which, cast upon his tinkling palace-floor,
Took root between the burnished flags, and now
Hath mounted and become a hellish tree,
Whose lithe and hairy branches, lined with mouths,
Net like a hundred ropes his lurching throne,
And strain at starting pillars. I behold
The slowly-thronging corals that usurp
Some harbour of a million-masted sea,
And sun them on the league-long wharves of gold—
Bulks of enormous crimson, kraken-limbed
And kraken-headed, lifting up as crowns
The octiremes of perished emperors,
And galleys fraught with royal gems, that sailed
From a sea-deserted haven. Swifter grow
The visions…
 

The rest is here http://www.horrormasters.com/Text/a_235.pdf. Read the whole thing, if you dare.

A reader was mocking this title. It is, admittedly, perhaps the most misleading and unromantic title ever foisted upon a splendid work of eldritch and eerie imagination. As a public service, and to quell the mocking titters to silence, I here present what is merely the opening of a poem of Miltonian length, if not stature. Hashish is mentioned nowhere in the text. It is a delirium of visions beyond human ken, not a poem in praise of drug abuse.

This poem with its gorgeous and oriental imagery was penned at about the same time the intelligentsia were fawning over awkward sentence fragments that likened sunset clouds to a patient etherized on a table. This acme of craftsmanship of the English language, this attempt to capture the ineffable in an elfin web of words, is obscure and unknown: that shrieking and rancid rubbish is world famous. Hail, modernity!

The theme is a recurring one from the Lovecraft school of writing: the visions of the reality beyond reality prove ultimately inhuman and malign and inescapable.